摘要
本文从文学艺术、社会结构、历史哲学、消费文化四个层面上分析了命运观念,描述了这个古老的主题所蕴含的问题,及其在现代社会中的发展变化。本文认为,传统的文学与哲学领域中的命运概念最终在消费文化中洗尽铅华,与现代社会中的概率统计相结合,成为一种数字化的表达。
This essay explores various notions of fate in history,which include the presentation of fate in literature and art,the concepts of fate in sociology,philosophy and historicism,and the expression of fate in consumer culture.It concludes that digital fate is the latest formation of the concept,which certainly belongs to the progress of disenchantment of the world in Max Weber.
出处
《外国文学》
CSSCI
北大核心
2012年第4期116-123,159-160,共8页
Foreign Literature
