试论《诗篇交响曲》中蕴含的“双重信仰”

“Double Faith” in Stravinsky’s Symphony of Psalms

《诗篇交响曲》是斯特拉文斯基新古典创作时期的代表作之一,也是世界公认的20世纪经典之作。这部作品就创作技法而言,强调对古典传统的革新,溶入了很多20世纪的新音乐语言;就思想而言,它充分地体现出作曲家个人的宗教观念——"双重信仰"。本文从影响作曲家的宗教观念入手,对作品的音乐结构进行系统分析,积极地探索观念与其相应的音乐形式化过程之间的逻辑关系。

Igor Stravinsky’s Symphony of Psalms is a representative work from the composer’s Neo-classical period.It is one of the most important compositions of the 20th century.In the Symphony of Psalms Stravinsky emphasizes on treating the traditional technique innovatively while integrating in it a large amount of new musical idioms of the 20th century.In many aspects the composition also reflects Stravinsky’s personal preference on religion—'double faith.'