摘要
魏晋六朝文学自觉说是20世纪最有影响的学术命题之一。"文学的自觉"是作家和批评家对文学的本质规律有相当深刻的认识和把握,并按照这种规律进行有意识的文学创造和批评活动。魏晋六朝形成了包括"披文入情"的批评理念和溯流别、文如其人、象喻、摘句等具体批评方法的文学批评理论体系,主张从文体视域观照、剖析文学的语言特征和审美特质,推进了对文学的本位性认知。文学批评的内部转向成为魏晋六朝"文学的自觉"完成的重要标志。
Literary self-consciousness of Wei, Jin and Six Dynasties, is one of the most influencing academic propositions in the 20th century. Literary self-consciousness is the conscious literary creation and criticism following the rules that writers and critics draw from their understanding and mastery of the essence and laws of literature. Wei, Jin and Six Dynasties witness the formation of a literary criticism theory system, which consists of the criticism concept promoting sentiment in essays and specific criticism methods, such as symbol, sentence criticism, origin-tracing, human beings and society understanding, etc. This system promotes a stylistic perspective analysis of linguistic feature and aesthetic specialty of literature, which advances literary standard concept. The inner transfer of literary criticism is the mark of literary self-consciousness of Wei, Jin and Six Dynasties.
出处
《中国文学研究》
CSSCI
北大核心
2012年第3期57-60,共4页
Research of Chinese Literature
基金
湖南省哲学社会科学一般项目"魏晋六朝文体思想研究"(09YBB297)
湖南师范大学博士科研启动项目"六朝文体思想研究"(2011BQ41)的阶段性成果
关键词
魏晋六朝
文体视域
文学批评
Wei, Jin and Six Dynasties
stylistic perspective
literary criticism