摘要
《红楼梦》人物的服饰人生意象,凝结着深厚的历史文化审美意蕴,具有多重叙事张力,对才子佳人小说"信物"符号功能是全方位的超越。纵观《红楼梦》女性,晴雯于此最为突出。她的服饰人生意象以"撕扇"、"补裘"与"赠袄(甲)"贯通,在"空"的世界、"情"的世界和"色"的世界的多重比对中,诠释了晴雯生命存在的复调性,凸显曹雪芹的传神文笔,拓展读者阅读审美空间,对当代作家多有启悟。
In A Dream of Red Mansions, Some image of dress and life of characters not only condense a deep and rich aes- thetic connotation of historical culture, but also imbue a tension of multi-narrate by which thoroughly go beyond token' s symbol function in those novel about talented scholars and lovely ladies. In this respect, Qinwen stands out among other females in the fiction. Through images of dress, Qin' s life merged into some scene such as tearing the fan, making-up fur coat and giving a gar- ment as present. The poly life of Qinwen was also annotated by a multi-contrast between the world of void, the world of feelings and the world of lust. The images highlight Cao Xueqin ' s vivid writing, widen reader' s aesthetic space, and give a good deal of enlightenment to contemporary writers.
出处
《中国文学研究》
CSSCI
北大核心
2012年第3期78-81,共4页
Research of Chinese Literature
关键词
红楼梦
晴雯
服饰
人生
意象
A Dream of Red Mansions
Qinwen
dress
life
image