摘要
狗意象在新时期文学中频频出现,却一直充当修辞的工具,作家很少正面书写"狗性",往往是"以人之心度狗之腹"。不同的作家笔下,狗意象的嬗变,蕴含着不同时代的文化心理,也体现了作家审美意识的流变。本质上,这是一定的创作主体处于人性表征与社会形态、价值观念之间而产生表达焦虑的结果。人与狗的关系,传达出不同的意识形态内涵、道德立场或者文化价值取向。
Dog images appear frequently in contemporary literature as a rhetorical tool. Few writers have positive writings a- bout "dog". The image of dogs in different writers' works represents the cultural mindset of different ages and evolution of the writer~ s aesthetic taste. In essence, this results from the author' s anxiety when facing humanity, social ideology and values. The relation between humans and dogs implicates different ideology, morality and culture value.
出处
《中国文学研究》
CSSCI
北大核心
2012年第3期99-102,共4页
Research of Chinese Literature
基金
2009年教育部人文社会科学研究基金项目"新时期文学的焦虑叙事研究"(编号为09YJA751039)的阶段性成果
关键词
狗意象
表达焦虑
文化流变
the dog image
expressed anxiety
cultural change