摘要
通过某个人物的眼或口来呈现一切,"叙述"与"聚焦"发生明显的分化,是六朝志怪的突出特征。这不是叙述者对人物所见或所说的客观、被动的"转述",而是叙述者对人物内在感知活动的"介入"。这才是虚构的确切含义。不是怪异的神秘性导致限知视角的产生,而是限知视角带来了怪异的大量出现,带来了新的虚构叙事文学——小说。
The Ghost Story of the Six dynasties is prominently featured by the distinct division between the narration and focus,and all are presented through a certain character's eye or mouth.This is not the narrator's 'retelling' from what the narrator observed and narrated,instead it is the interposing from the narrator of perceptual activities in character.This can be the definition of virtue of the novel.The limited perspective results from weird mystery and also results in large number of weirdness,which produces a new fictional narrative literature——novel.
出处
《广东技术师范学院学报》
2012年第7期1-7,139,共7页
Journal of Guangdong Polytechnic Normal University
关键词
六朝志怪
叙事角度
虚构
The Ghost Story of the Six dynasties
angle's narration
fiction