论川端康成《雪国》中的驹子形象

On the Image of Komako in Kawabata's "Snow Country"

《雪国》叙事的主观性,首先决定了驹子是由男主角岛村认知视角四个不同阶段的发展构成的主观形象。但随文本表层故事和潜故事的推进,叙述者对岛村视角与其对象的配置也同步变化,作为受述者的读者在叙述者诱导下越出岛村视角范围去还原被岛村视角扭曲的主观形象,就得到了另一个与之迥异的驹子形象。两个驹子形象有重合也有歧异,互相对比、互相阐释,形成复杂的新形象。

The narrative subjectivity of Kawabata＇ s ＂Snow Country＂ determines that the heroine, Komako, is a subjective figure constructed from the cognitive perspective of Shimamura in four different stages of development, or there are four different Komakos： chaste and beautiful girl, sexy and passional young woman, sad and lonely slut and a nearly sublime suffering saint. Reader＇ s access to the figure of Komako is the synthesis of both the subject in perspective and the object over the main aspects, though critical analysis cannot be based on such empirical focus.