摘要
通过梳理敦煌壁画和雕塑在多元文化视角下呈现的共性理念和风格特征,提出了创建敦煌画派的框架性原则,即以佛教为其宗教精神,以表现为其美学趣尚,以安详为其艺术品格。
Based on the common artistic charaters of the mural paintings created in the diverse cultures of the past, the author proposes the establishment of the concept of a Dunhuang School of Art as uniquely different from the painting styles of other places in China. This school of art is characterised by a Buddhist faith, expressionist aesthetic, and a tranquil ambience.
出处
《兰州大学学报(社会科学版)》
CSSCI
北大核心
2012年第4期170-172,共3页
Journal of Lanzhou University(Social Sciences)
关键词
敦煌画派
共性理念
风格特征
Dunhuang School of Art
common concept
stylistic characters