在设计和写作之间

Between Design and Writing

本文对王澍近期的两个作品进行了批评性读解。在陈默工作室中，形成句法的插入和消解使空间获得了敏感性，对功 能设定和习惯的悬搁又使工作室具备了直接性。王澍“家园’则企图完成园林对住宅的改写，其结果是在住宅单元中导 入了“虚构”而“尺度化’的序列又使住宅单元为自己确定了新的语境。

This paper presents a critical reading of Wang Shu's two workes-Chen Mo Art studio and Wang's House. In the former, By the dialogue between two formal syntaxs. Desigen bestows Sensitivity on the Homogeneous space which can response actively. In the later. House unit has been rewritten by Garden, and House became a 'fiction'. By Scaling, house unit makes new reference for itself.