摘要
相对于瓷都景德镇、陶都宜兴来讲,古邛窑在某些人眼里或许仅仅是地处西南边陲的小窑口。相对于近现代陶瓷雕塑更注重形神兼备的写实塑造,古邛窑陶瓷雕塑则更追求神韵,追求意象,在艺术表现上,善于"将错就错"地根据泥形、泥性和器型特点来发散创作,其塑造对象都个性鲜明耐人寻味,写意性更显生动、随意性更显粗犷。或许这就是邛窑陶瓷"野逸"之魅力。
Jingdezhen, Yixing pottery in terms of the ancient mound kiln in the eyes of some people may be only a small kilns located in the southwestern border. Phase focus on Xingshenjianbei realistic shape, modern and contemporary ceramic sculpture ceramic sculpture of the ancient mound kiln is even more charm to pursue, pursuit of imagery, the artistic expression, good at ＂the wrong＂ mud-shaped, mud, and device characteristics to divergent creation, shaping objects distinctive interesting, more lively freehand, randomness is more rugged. Perhaps this is Qiong Kiln Ceramics ＂wild Plaza＂ charm.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2012年第8期56-58,66,共4页
China Ceramics
基金
四川省教育厅动漫研究中心项目(W11231099)
关键词
雕塑
意象
神韵
sculpture, image, charm
