摘要
少数民族戏剧是中国戏剧文化的重要组成部分,但因种种原因,此项研究向来是中国戏剧研究领域的薄弱环节。在多民族文化交流频繁的四川地区,有风格别具的羌族释比戏和藏族格萨尔藏戏,二者作为少数民族文化遗产在书籍乃至媒体中的亮相颇有限,这跟多年来学术界对之的发掘和掌握、认识和重视皆不够大有关系。这个问题,应当引起研究者关注。
Drama of ethnic minorities play an important part in the culture of Chinese drama, but for various reasons, this study has always been the weak link of the field of theater studies. Frequent multi - cultural exchanges in Sichuan style unique Qiang nationality shibi drama and Tibetan King Gesar, as cultural heritages , seldom appear in the books and even in the media. It has been related to many years lack of academia the excavation and grasp, understanding and appreciation. It should cause researchers＇ concern.
出处
《内蒙古大学艺术学院学报》
2012年第2期23-30,共8页
Journal of Art College of Inner Mongolia University
基金
教育部人文社科项目"民俗事象与族群生活--人类学视野中的羌族民间文化研究"(项目编号:10YJA850023)的阶段性成果
关键词
少数民族戏剧
羌族
释比戏
藏族格萨尔藏戏
文化遗产
minority drama
Qiang shibi opera
Tibetan King Gesar Tibetan opera
cultural heritage
