摘要
对香格里拉松赞林寺"迎佛节"仪式的考察,透视了音乐与仪式的关系,并以个体观察的立场,描述了仪式音乐与仪式信仰"有效性"的互动关系,指出:念(经)、唱(歌)、奏(乐)作为一种结构表述系统,它在"迎佛节"仪式中,不仅构成了文化陈述的重要途径,更构成了藏民族群体重要的心理体验与情感记忆。作为一种文化象征所指的符号标志,仪式音乐成为了藏民族社会公共领域独特历史表述的重要载体。
The survey of the Shangri - La Songzanlin Temple "Welcoming Buddha Day " ceremony, examines the relationship between music and ceremony, and from the perspective of the individual observation, describes the interaction between ceremony of music and ceremony faith" validity " pointing out that : reading, singing (song), playing (music) as a structured representation system, in " Welcoming Buddha Day" ceremony, not only constitute an important way of cultural impact statements, but also constitute important ethnic groups in Tibet psychological experience and emotional memory. Referred to as a cultural symbol for the ceremony, music has become an important carrier of the unique history of the Tibetan ethnic society in the public domain statements.
出处
《内蒙古大学艺术学院学报》
2012年第2期94-100,共7页
Journal of Art College of Inner Mongolia University
基金
教育部2010年人文社科规划基金项目阶段性成果(项目编号:10YJA760041)
关键词
松赞林寺
藏族
迎佛节
民族传统
仪式音乐
符号象征
Songzanlin Temple
Tibetan
Welcoming Buddha Festival
national traditions
ritual music
symbols