摘要
在中国传统家庭中,父亲作为一种负载历史传承的文化代码具有正负双重含义,西门庆的张扬与沦陷体现了父亲缺失的二律背反。《金瓶梅》父亲缺席的叙事策略是一种深刻的社会寓言,反映了作者在末世狂欢的时代表象下深深的忧虑和绝望。
In traditional Chinese family, the father, as a load history and cultural heritage code, has double meanings with the positive and negative, the stick and fall of Xi menqing reflects his father' s missing antinomy. Jin Pingmei father' s absence of narrative strategy is a profound social allegory, reflecting the author' s deep anxiety and despair at the end of the carnival world.
出处
《北华大学学报(社会科学版)》
2012年第2期72-74,共3页
Journal of Beihua University(Social Sciences)
关键词
金瓶梅
末世
张扬
沦陷
寓言
Jin Pingmei
End of the world
Fall
allegory