摘要
通过对宋代佛塔元素的分析,整理和归纳了宋代佛塔元素的造型和装饰特点,并通过设计实例分析了宋代佛塔元素在服装中的应用。通过复制和仿制的方法,保持佛塔元素的独特艺术性,提炼出佛塔元素的艺术形式,将其应用在服装设计中。根据服装自身的特征及时代要求,提炼出新造型、新图案、新色彩搭配,主要运用联想和变形方法,进行重新组合和创新设计,且灵活运用佛塔元素中经典而实用的理论原则。设计出的服装作品既有佛塔特色造型又有佛教鲜明的文化内涵。
By analyzing the element pogoda in Song Dynasty, this thesis sorts and summarizes the features of shape and decoration for the element pogoda in Song Dynasty. In addition, it also analyzes the application of the element pogoda in Song Dynasty to the clothing through the design examples. Costume design follows the characteristics and performances of their own clothing and the pogoda, and tries to keep the element pagoda unique artistic property. Through the copy and imitation method, the art form of pogoda elements is refined, and it can be applied in the clothing design. According to the characteristics of clothing and the requirements of time, it extracts the new shape, the new pattern and the new color collocation. It mainly applies the association and deformation method to proceed new combination and design innovatively. In addition, it also flexibly uses the practical and theoretical principles in the element pogoda. The clothing designed in this way not only has characteristic shape of pagoda but also holds distinctive buddhist cultural connotation.
出处
《丝绸》
CAS
北大核心
2012年第8期37-42,共6页
Journal of Silk
基金
教育部人文社会科学研究基金项目(09YJA7600B)
江苏省规划办人文社会科学研究基金项目(08YSB003)
关键词
佛塔元素
服装设计
联想
变形
宋代
The element pagoda
Fashion design
Association of ideas
Transfiguration, Song Dynasty