摘要
新时期以来的农村题材电视剧塑造了大量的乡村女性形象,不少作品更直接以乡村女性作为表现的主体。这些女性群像基本可以归入苦难女性、女强人、道德女性和落后女性这四类范畴。借助这些乡村女性形象在时代中的审美衍变,通过对她们的婚恋情感、人生命运及未来出路的展示和思考,农村题材电视剧对中国乡村传统、乡村现实和乡村文化进行了全面探索与考察,完整地勾勒出一幅中国乡村社会文化变迁的历史图景,拓宽了中国电视剧艺术的表现空间。
A large number of country women images have subject matters produced since the New Era. Many of the jects to be represented. And this group of women images been shaped and delineated in teleplays with rural teleplays directly make country women as their sub- may be classified into the four categories below: the suffering women, the super - women or iron ladies, the moral women and the backward women. In the light of the changes of these women images from an aesthetic perspective, TV plays with rural subject matters have explored and examined China' s rural tradition, reality and culture in an all - around way by displaying and contemplating their marriage, destiny and future, and cultural changes in rural China, thus broadening have presented a complete historical picture of the social and the artistic space of Chinese TV plays.
出处
《山东师范大学学报(人文社会科学版)》
2012年第4期151-160,共10页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
作者主持研究的教育部人文社会科学研究青年基金项目"30年中国农村题材电视剧研究(1980-2010)"(11YJC760114)的阶段性成果
关键词
农村题材电视剧
女性形象
文化意义
teleplays (TV plays) with rural subject matters
woman image
cultural meaning