摘要
随着时代的发展,文化语境明显地呈现出多元化的样态并导致审美范式的当代转换。在此背景下,电视剧《亮剑》突出地体现了影视作品在视觉文化、消费文化和大众文化背景下的独特变化。影视作品的内在构成质素已经难以稳定地承载原本的意义,而是向新语境中适合自身存在的方向滑动。对于这种现象的理解要求我们重新衡定艺术理论的轴心概念,对形象、情感、审美等构成审美范式的基本概念的变化进行清晰地判断。
With the development of the times, cultural context obviously presents multi - elemental modes and leads to the shift of aesthetical paradigm. Under this background , Drawing Sword shows films and television programs have changed specially in the context of visual culture, consumer culture and mass culture. The inner elements of films and television programs have hardly completed their missions and shift to the suitable places. In order to understand this phenomenon we should reweigh the oore concepts of artistic theory, and judge the change of image, emotion and aesthetic which constitute the aesthetical paradigm.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2012年第4期39-41,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)