摘要
在柯仲平诗歌中讨论的"群众",并非历史或者现实生活中的血肉之躯,而是一个被不断抽象的政治概念,这一概念与文学不断融合、衍变,乃至形成一种独特的表达形态。提出这一论题,旨在尝试一种解读实践,即通过阅读"群众"话语的历史形成及其在诗歌中的表现,探寻现代革命诗人在求索现代性的过程中存在的历史囧态。
The ＂people＂ discussed in Ke Zhongping＇s poems, isn＇t history or flesh in real life, but a constantly abstract political concept, which constantly fusion, development with literature, and forms a unique expression form. The paper puts forward this thesis, aims to try a reading practice and explores modem revolutionary poets＇ history embarrassment in search of modernity through understanding historical formation of ＂people discourses＂ in poems and its performance.
出处
《文山学院学报》
2012年第4期63-67,共5页
Journal of Wenshan University
基金
文山学院科研基金项目"柯仲平诗歌现象研究"(08WSY14)
关键词
群众美学
诗歌形态
本质
意识
艺术
审美
People aesthetics
poem form
essence
sense
art
aesthetic appreciation
