摘要
1982年,纽约现代美术馆史无前例地为一位女性艺术家举办回顾展,这位艺术家即是路易斯·布尔茹瓦(LouiseBourgeois 1911—2010)。这次展览之后,她的作品震撼了欧洲评论界,自此不断地在世界各地举办展览,并获得无数荣誉与大奖。布尔茹瓦被认为是当代雕塑领域的重要人物,是目前对艺术界影响最为广泛的女性艺术家之一。2011年,在纽约佳士得拍卖中,她于1996年创作的一件《蜘蛛》以1072.25万美元的价格打破了战后女艺术家的拍卖纪录。可以说《蜘蛛》系列是布尔茹瓦艺术生涯中的巅峰之作,她本人也由此被称为艺术界的蜘蛛女侠。本文试图对其《蜘蛛》系列中的大型装置作品进行分析和研究,探讨布尔茹瓦的创作意图以及《蜘蛛》所传达的精神意蕴。
In 1982,The Museum of Modern Art(MOMA) held a retrospective exhibition for a female artist for the first time and this artist is Louise Bourgeois(1911-2010).After this exhibition,her works had shaken European critics and were continuously exhibited all over the world,receiving countless honors and awards.Bourgeois is regarded as the important person in the field of contemporary sculpture and as one of the most influential female artists in today' s art circle.Her work 'Spider' created in 1996 broke the auction records of female artists after World WarⅡwith 10,722,500 dollars on Christie' s auction in 2011.The series of 'Spider' is the pinnacle of her career and because of this work she is known as the 'Spider Woman' in art circle.In this essay,author tries to analyse and studies the big installation work in the series of 'Spider' and to explore the creative intentions of Bourgeois and the spiritual sense of 'Spider'.
出处
《东方艺术》
2012年第15期64-69,共6页
Oriental Art
