摘要
区分"当代中国艺术"和"来自中国的当代艺术"虽然很细微,却十分必要的。后者是一种"去民族化"的视角。这种视角对于当今的中国十分重要。因为,今天在中国"民族主义"、"民族认同"和"中国性"(及其重要性)仍然是是批评写作领域的重大挑战。本文作者从"批判性:‘万能理论'"、"文化问题"、"道德问题"、"翻译问题"、"全球性问题"和"当今文化语境"这6个角度分析了中国当代艺术和艺术批判的过往及现状,并提出了自己的见解。
As a small but significant difference,it seems important to distinguish between 'contemporary Chinese art' and 'contemporary art from China'.The latter removes the ' national' angle from the equation,which is important in a country where nationalism,the concept of national identity and of 'Chineseness'(and its significance) is one of the greatest challenges in the field of written criticism in China today.The author analyses the past and current situation of Chinese contemporary art and art criticality in 6 chapters:'Criticality:the theory of everything', 'the Cultural Issue','the Moral Issue','the Translation Issue','the Global Issue' and 'the Current Cultural Context'.
出处
《东方艺术》
2012年第15期80-89,169-182,共24页
Oriental Art
