再观——关于中国艺术的当代性呈现的实验

REVIEW:AN EXPERIMENT ON THE PRESENTATION OF CONTEMPORARINESS OF CHINESE ART

本人通过从"认识何为手卷与册页,了解其观赏方式;美术馆的作品呈现方式与人的关系"两个方面探析"观"展览,从而引发尝鲜与具有真正的价值的本质区别的思索:我们所建构的这种方式与惯常美术馆的空间分配、氛围营造以及欣赏方式的区别是否真正有利于观者对作品的理解,则是判定其价值的关键。"观"对中国艺术传统欣赏方式的回归实质上是对中国艺术精神与审美理念的回归。从在美术馆平台可实施性的实验到常规化的过程,是美术馆对展现中国本土艺术精髓的实践性推展。从而在全面、深入地研究中国艺术的创作、呈现、观看、传播等方面问题的基础上,是否有可能逐步建构具有中国艺术特色的、自成体系的中国的美术馆展示方式,成为这一实验引发的深层问题。

This essay is to analyse the exhibition 'View' through two respects—one is from the relationship between the way of display and man and the other is to have an understanding of scrolls and albums of paintings as well as their way of appreciation—in order to think about the difference between what is just in season and what is of real value.Whether the difference between what we have constructed and the usual spatial arrangement,atmosphere construction and the way to appreciate is beneficial to the understanding of works or not will become the key to estimate its value.'View' is the return of Chinese traditional way of appreciation,which in fact is the return of Chinese artistic spirit and aesthetic concepts.Both the practicable experiences in the platform of art museum and the conventional process are the practical development of art museum' s manifesting the soul of Chinese arts.On the basis of the research into creation,display,view and dissemination of Chinese art,whether we can build the self-contained way of display with characteristics of Chinese art museum or not will become a problem of this exploration.