摘要
唐诗宋诗孰优孰劣,无疑是宋代以来中国诗学批评史上焦点论题之一。历史上宗唐还是宗宋之论,显现出此消彼长、互不相服之态势。然论其发端,唐宋之辨当始于南北宋之际,魏泰、张戒、陈岩肖等堪为前驱,在宋末元初,更给人以热闹的印象,叶适、严羽、刘克庄等对此问题皆有深入的展开。宋末元初的唐宋之辨,有助于人们进一步审视诗歌的审美特征及价值低位,反思与总结宋诗的发展道路,从而建构新的诗歌发展走向。
Whether Tang poetry is better than Song poetry or vice versa remains one of the unsettled disputes in the history of Chinese poetic criticism. People are divided as to whether they should follow Tang's tradition or Song's style when creating poems. Chen Yanxiao at the turn of Southern This dispute was started by such scholars as Wei Tai, Zhang Jie and Song Dynasty; it then became a hotter issue in the late Song and early Yuan dynasties, when scholars like Ye Shi, Yanyu, Liu Kezhuang offered their deepened understandings of the problem. The discussions made by the scholars in that period can help deepen our understanding of the aesthetic feature and value of poems in general and of the development of the Song poetry in particular, and throw light on the direction the poetic creation will take.
出处
《南京师大学报(社会科学版)》
CSSCI
北大核心
2012年第4期135-140,共6页
Journal of Nanjing Normal University(Social Science Edition)
基金
国家社科基金(07BZW001)
关键词
宋末元初
唐宋之辨
诗学建构
late Song and early Yuan dynasties
debate on the relationship between Tang poetry and Song po-etry
poetic construction