“脂粉气”问题与女性文学审美的近代转变

Femininity and Modern Transformation of Aesthetics to Feminine Literature

"无脂粉气"是传统文人对女性诗词批评的最高标准,意味着闺阁诗人对女性纤细柔靡风格的超越。事实上,这是一种典型的以男性标准为标准的女性审美观念,渗透着儒家体系下女性对男权规范的心理认同。近代中国,随着资产阶级妇女解放运动的开展,围绕着"脂粉气"问题的思考,文学创作中的女性意识经历了一个由彻底否定自我到重新认识自我的复杂过程,这也是女性文学审美观念复归理性的近代化过程。

＂With no feminity＂, refering to a break-away from the graceful female style of poetesses, stands for the highest evaluation to traditional female poems, which, actually, is a typical aesthetics view on women from male criterion, representing women＇ s accepting male norms in Confucian ethnics. In modern China, around the problem of ＂feminity＂, feminine consciousness in literature experienced a complicated process from complete self-denial to renewed self-awareness in the progress of bourgeoisie feminist liberation movement and a modernization process of rationality reversion of aesthetics to female literature.