摘要
陆川的《南京!南京!》以艺术的辩证法则、非意识形态对抗、非民族主义的立场、文化批判的精神、"复调"的叙事、还原历史真实和人性真实的勇气、"差异书写"和对比的手法塑造了战争中的"他者"——抗日战争中的日本人角川,成为中国电影史上继姜文的《鬼子来了》、冯小刚《集结号》后的又一部特立独行的中国战争影片,是一次在"包容他者"的人文理想和艺术原则基础上的对电影美学疆界的新跨越。
Luchuan Nanjing! Nanjing! Under to art of dialectics is, and non-ideology confrontation, and non-nationalism of position, and culture criticism of spirit, and ＂complex adjustable＂ of narrative, and restore history real and humanity real of courage, and ＂differences writing＂ and comparison of practices shaping has war in the of ＂he who＂ war in the of Japanese angle Sichuan, became China film history Shang following Jiang Wen of Devils to has under, and Feng Xiaogang build-up, under Hou of and one Maverick of China war movie, is once in ＂inclusive the other＂ Humanistic ideals and principles of art on film aesthetics of borders on the basis of a new leap forward.
关键词
文化批判
非意识形态对抗
非民族主义
复调叙事
差异书写
Culture Criticism
Non-ideology Confrontation
Non-nationalism
Complex Adjustable of Narrative
Differences Writing
