摘要
茅盾在大后方度过了抗战八年的大部分时光,大后方因此成为茅盾抗战时期作品的重要表现对象。大后方的政治、经济、文化生活以及民众的精神面貌在茅盾的作品中得到了形象的反映。茅盾的作品侧重于表现大后方的阴暗面,个中原因在于茅盾一贯的左翼立场、国共两党对茅盾的不同态度以及茅盾居留和书写大后方时间的特殊性。
Mao Dun spent most of the time during the 8 years' war of resistance against aggression in the rear area, so in this period his works' contents mainly focused on the things happened in the rear area. Its policy, economics, cultural life and people' s spiritual outlook were completely reflected in his works. His works put particular emphasis on the dark side of things in the rear area, the reason lies in his left wing' s position, the attitudes of Kuomintang and the Communist Party towards Mao Dun.
出处
《重庆师范大学学报(哲学社会科学版)》
2012年第4期39-47,共9页
Journal of Chongqing Normal University Edition of Social Siences
基金
作者主持的教育部人文社会科学研究2012年度规划基金项目
重庆师范大学2011年度博士启动基金项目"抗战时期大后方文学题材研究"(项目编号:12XJA751003
11XWB037)
重庆市2010年度社科规划项目"抗战文学中的重庆形象研究"(项目编号:2010YBRW72)的阶段性成果之一
关键词
抗战
茅盾
大后方
war of resistance against aggression
Maodun
rear area