从“恶”的嬗变到灵魂的自赎——新编广东汉剧《金莲》赏析

From Evil to the Salvation of Soul——The appreciation and of the newly edited Guang dong Hanchu opera Jinlian

新编广东汉剧《金莲》是广东汉剧院继大型客家题材戏《黄遵宪》之后的又一力作。在新编广东汉剧《金莲》中,金莲的形象不断被挖掘,变化、丰富,大大突破了传统意义上的妇女解放、个性解放、人性解放,完完全全塑造了一个与以往不一样的潘金莲,是一个从"恶"的嬗变到灵魂自赎式的潘金莲,赋予潘金莲一种现代品格。该剧对传统广东汉剧从形式到内容都有新的探索,在选材和立意开掘的视角上都体现出求新的高度。本文主要从该剧的剧本创作、音乐创作、表演与舞美三个方面作评析。

The newly edited Jin lian is one of the most important operas after the production of the opera Huang Zunxian, which is based on the great Hakka theme and created by Guangdong Hanchu Opera Theater. The image of Jin lian has been digged out, changed and enriched constantly in this editor, and it has shaped a woman who is totally different from the old type in people＇ s mind. Besides, it greatly breaks through the women liberation, indi- viduality liberation, and humanity liberation in traditional concept. The Jin lian here has undergone from evil to the salvation of her soul, and she is given a modem character. This opera has new study on traditional Guangdong Han- chu opera, on the form as well as the content; what＇ s more, it also presents novel a view on the option of the theme and the exploration of the significance. This paper mainly helps us appreciate and analyze the creation of the opera, music, performance and the beautiful design of dance.