摘要
作者在不断记写吟诵乐谱的过程中,逐步摆脱西方音乐记谱概念及方式,建立起相对适合于吟诵记谱的认识,文章从节拍与拍值、音高、休止、调号四个方面讨论了吟诵的记谱。
By keeping humming the tune for transcribing the score,the author tries to get rid of Western transcription with its concept and method build up his own,involving meter,time value,pitch,rest,key signature.
出处
《音乐艺术(上海音乐学院学报)》
CSSCI
北大核心
2012年第2期74-77,5,共4页
Art of Music(Journal of the Shanghai Conservatory of Music)