诗歌:在日常生活中探寻审美向度

Poetry:To Find the Aesthetic Dimension in Everyday Life

当代诗歌正逐渐远离崇高的、形而上的美学追求,探其原因有两个方面:一是思想、文化转型过程中日益膨胀的享乐主义和消费文化的深刻影响;二是"民间立场"挑战"知识分子写作"的精英文化而导致的诗学内部裂变。日常生活审美化为诗歌创作开辟了广阔而新鲜的实践空间,使高雅文化形态更加贴近大众文化。同时,对日常生活的过度阐释和审美泛化也产生了大量语言俗白、情感缺位的"口水诗",从而遮蔽了诗歌的终极精神和语言魅力。当代诗学应该在日常生活中寻求诗歌的"诗美"和"诗意",在日常语言结构和生命体验中保持诗人乌托邦的自由幻想和精神向度,自觉于诗歌的本体审美向度。

Modem poetry is gradually turning away from the lofty and metaphysical aesthetic approach. There are two important reasons. The first is the profound influence of hedonism and consumer culture that are fueled by i- deological and cultural transformation. The second is the divisions within poetics itself caused by challenges a- gainst elite culture featured for ＂intellectual writing＂ from ＂folk standpoint＂ . The aestheticization of daily life has provided a vast prospect for poetic creation and made the highbrow cultural form more close to popular cul- ture. However, the over-interpretation of daily life and the generalization of aesthetics have created a number of poems characterized by vulgar language and the absence of sentiment, which has consequently blinded the ulti- mate spirit and linguistic charms of poetry. Modern poetic is supposed to seek the beauty and artistic conception of poetry from daily life, to remain the poets＇ utopian imagination and spiritual dimension in language structure and life experience in daily life, and to keep the ontological aesthetic dimension of poetry.