摘要
四明南词与宁波走书同为宁波地区历史悠久的曲艺曲种,由于其观众、演员、剧作者的不同,体现了他们"文"与"野"的不同审美心理。从审美心理学的角度,对四明南词与宁波走书所诞生的自然人文环境,创作、表演、欣赏环节,进行对比分析研究,并结合当代大众的审美心理,解读其历史发展规律和生存现状。
Siming Nanci and Ningbo Zoushu are two kinds of time-honored folk arts in Ningbo. Their difference in audiences, actors and playwrights demonstrates people's different aesthetic psychologies of refinement and popularity. From the angle of aesthetic psychology, this article makes a comparison of their natural and human environments and the processes of their creation, performance and appreciation, and analyzes their historical development and current situations with a view to provide some theoretical reference for the protection of intangible cultural heritages.
出处
《宁波大学学报(人文科学版)》
2012年第5期108-113,共6页
Journal of Ningbo University:Liberal Arts Edition
基金
宁波市哲学社会科学规划课题(G11-A28)
关键词
四明南词
宁波走书
审美心理
“文”与“野”
Siming Nanci
Ningbo Zoushu
aesthetic psychology
"refinement" and "popularity"