摘要
山谷诗在清道、咸年间的京师诗坛受到普遍推崇。师友间的辗转传授和相互影响推动了其广泛传播,而程恩泽和梅曾亮的作用尤为突出。诗人群体虽有宗宋与宗唐之分,但对山谷其人其诗均有赞誉。他们深契于黄庭坚挺立"不俗"的道德人格和潇洒物外的风神,并本于不同的诗学立场论列其诗作的艺术特征和渊源,进而肯定他在诗史中的地位,对山谷的诗学批评与创作也有引申和借鉴。这一现象既是乾嘉以来诗坛推举山谷之风气的延续,亦不乏现实针对性,即纠正性灵诗风;向后则开同光体之先声,成为诗学风气转变的重要表征。
Huang TingJian's poem was widely respected by poets of capital circle during Daoguang and Xianfeng years.Because of teachers and friends 'influence,this tendency was widely spread,among which Cheng Enze and Mei CengLiang played particularly important role.Though the poets group's poem tendency could be divided into Tang poetry and Song poetry,they heaped praises on Huang Tingjian's poem.They were deeply fascinated in the moral personality and seclusion.Basing on a different position,they talked about artistic features and origins,and confirmed his position in poetic history.Meanwhile,his literary criticism and creation has also extended and referred by the current poems.This phenomenon is the continuation of the previous poetic atmosphere,also had the practical aim,rectified 'XingLing' style.It became the important token of poetic style change.
出处
《济南大学学报(社会科学版)》
2012年第5期39-44,91-92,共6页
Journal of University of Jinan:Social Science Edition
基金
山东省社科规划研究项目"曾国藩与晚清文学思想研究"(11DWXJ08)
济南大学博士基金项目"曾国藩与晚清文学思想研究"(B1206)