论鲁斋郎形象的文化意蕴

The Cultural Implication of the Image of Lu Zhailang

元代社会矛盾产生的主要原因之一是游牧文化与农耕文化之间的冲突。关汉卿的杂剧作品《包待制智斩鲁斋郎》通过蒙古族"抢婚"习俗及鲁斋郎形象的典型性分析,揭示了这一现象,使其更具针对性和现实性,体现出封建社会知识分子的社会关怀。

As is commonly held that Guan Hanqing＇ s drama Beheading of Lu Zhailang by the Cute Bao Daizhi is a social legal ease describing how the dignitaries and the very important people oppressed the massesed and disclosing the dark social realities, in which Baozheng rided the people of an evil. Taking the custom of marriage by capture in Mongolia into consideration, this paper attempts to analyze Guan Hanqing＇ s real purpose of setting up the image of Lu Zhailang, that is, the purpose is not merely to criticize the dark reality but rather to uncover the conflict between the nomadic and the farming cultures, which is the root cause leading to the eye - catching social conflict in Yuan Dynasty. And so, this drama presents a kind of self - concerning thought of the secietv by the intellectuals in the feudal society.