摘要
通过相关概念的阐释,分析"场所精神"依托建筑现象学的研究方法所具有的合理性和局限性,提出建筑设计中的场所精神应具有包容性,即从满足人们持续的需要和唤起最高境界的审美感这个角度,根据体验者的认知与参与对建筑作出合理的判断或评价,并总结了场所精神的体现,包括简单的模仿、动态的改进(或叫批判的继承)和有效的创新三种形式。
On the basis of the interpretation of some related concepts, the paper analyses the rationality and limitation of "genius loci" based on architectural phenomenological research method. This paper proposes that "genius loci" of the current architectural design should be in- elusive, i.e. , a reasonable judgment and assessment of the building can be made by involving people's perception and participation from the perspective of meeting people's continuious needs and evoking their highest level of aesthetic sense. Finally, this paper summarizes three forms of "genius loci", namely, simple imitation, dynamic improvement (or critical inheritance) and effective innovation.
出处
《金陵科技学院学报(社会科学版)》
2012年第2期65-68,共4页
Journal of Jinling Institute of Technology(Social Sciences Edition)
关键词
场所
场所精神
建筑现象学
包容
创新
place
genius loci
architectural phenomenology
inclusive
innovation