讽拟与乡愁——论社刺艺术与社会主义现实主义之间的悖论关系

Parody and Nostalgia—On the Paradoxical Relation between Sots-Art and Socialist Realism

隶属于莫斯科概念主义(Московскийконцептуализм)的社刺艺术(Соц-арт)是一种集中使用苏联社会主义现实主义美学原则进行创作的后现代艺术,社刺艺术家们以各自的创作提出针对该美学体系的解构方案,并与之形成一种既讽拟又继承的悖论关系。本文尝试解析几位主要社刺艺术家的代表作品,借此探究这一悖论关系的成因,进而揭示社刺艺术的美学内涵。

As one branch of the Moscow Conceptualism, the sots-arts created by Russian postmodernists can be seen as a deeonstruction strategy against the socialist realism. As a result, a paradoxical relationship was formed between the sots-art and the socialist realism. Through analyzing the esthetic content of a few important sots-art works, the author of the article aims at uncovering the reasons behind the above-mentioned paradoxical relationship.