钟嵘《诗品》中的楚辞批评

Criticisms on "Songs of Chu" in "Remarks on Poems" by Zhong Rong

钟嵘《诗品》以追根溯源的方式表明对楚辞的态度。在"干之以风力,润之以丹采"审美理想指导下,钟嵘重视诗文对情感的抒发、重视华丽的语言,对楚辞后继诗人极为重视,而尤为推崇融合《诗经》精神和《楚辞》特色的诗人及作品。在钟嵘的文学思想中,《骚》与《诗》都是文学创作的典范,同样具有重要的文学地位。钟嵘《诗品》中的楚辞批评体现出鲜明的时代特色。

Zhong Rong＇s attitudes towards ＂Songs of Chu＂ were clearly expressed in ＂Remarks on Poems＂ by means of ＂tracing to the source＂. In his aesthetic ideal, Zhong Rong paid special attention to emotional expressions in poems, elegant poetic dictions and the subsequent poets of ＂Songs of Chu＂. He particularly adored the poets and poetic style of combining pneuma in ＂the Book of Songs＂ and characteristics in ＂Songs of Chu＂. In Zhong Rong＇s literary ideas, both ＂the Sao style poems＂ and ＂the Book of Songs＂ were the examples in literary writing, which should play equal roles in Chinese literature. The criticisms on ＂Songs of Chu＂ in ＂Remarks on Poems＂ by Zhong Rong have shown obvious epoch features.