摘要
关山月在桂林的创作过程,是他艺术创作活动中承前启后的关键时期。《漓江百里图》体现了关山月对山水画精神的理解与实践,以及在抗战时期中国现代绘画改革的特殊背景下,他对写生与创作的联系、自我风格的形成与创新等问题的深刻思考。
During the creation process in Guilin,Guan Shanyue made a critical period of the past and in his artistic creation.The landscape of lijiang river reflects his understanding and practice of landscape painting spirit.It also shows the meditation of Chinese paintings about the connection of sketching directly from reality and creating from mind,and the formation of self-style and new ideas under the background of Anti-Japanese war(1937-1945).
出处
《艺术探索》
2012年第4期34-36,51,共4页
Arts Exploration
关键词
关山月
漓江山水
抗战
Guan Shanyue
Lijiang landscape
Anti-Japanese war
