宋代佛教绘画《写经罗汉图》研究

A Study upon Buddhist Painting "Arhat Copying Scripture" in Song Dynasty

罗汉画在宋代佛教绘画中具有重要地位,《写经罗汉图》以写经罗汉为题材,立意不凡,画风严谨,技艺上乘,内容丰富,可为我们研究中国古代相关的家具(如案、屏风)、建筑(如斗栱、瓦当)与执笔法以及画风画法带来帮助。通过分析宋代罗汉画在全世界的收藏状况,南宋罗汉画获得杰出成就的背景以及此画与光孝寺旧藏的问题,提出它不仅是南宋画家的作品,还显示了宋代罗汉画的一流艺术水准。

Arhat painting had significant status in Buddhist painting in Song dynasty. With its distinguished concep- tion, rigorous painting style, excellent techniques, and abundant content, ＂ Arhat Copying Scripture＂ helps us a lot for studying ancient Chinese furniture, architectural skills, and way of handwriting and painting style. After analyzing its world collection condition, its background and its relation to old collection of Guang Xiao Temple, the author pro- poses that it is a work ascribed to a painter in southern Song dynasty, and it demonstrates a first -class artistic level of arhat painting in Song dynasty.