摘要
海派具有在中国近现代美术中的独特地位,集中体现了中国美术在近现代文化情境下所孕育而成的一些基本特征。这些特征主要体现在三个方面,一是传统在自身线性框架中的救赎与拓展,二是逐渐融汇到城市市民文化之中而形成的"创新",三是在西学东渐、文化融合的文化情境中日益凸显出其对现代性的认同。作为狭义海派绘画已呈现出中国传统绘画在文化格局上的重大转型,集中体现出各种异质文化的交流、传播和融合,具备了宽容而开放的现代文化生成的土壤。在海派文化所处的多元复合的跨文化交流语境之中,精英与大众、旧学与新学、本土与外来文化成为我们考察海派绘画的立体框架。
＂ Shanghai School＂ painting has its particular status in modern Chinese fine arts. And there are mainly 3 features： one is the salvation and expansion of tradition in its own linear formulas ; one is innovation in civil culture; one is a modern identity in the context of ＂western learning coming to eastern countries＂. In this paper, we study ＂ Shanghai School＂ painting from perspectives of elite and the masses, traditional and new learning, regional and for- eign culture.
出处
《艺术百家》
CSSCI
北大核心
2012年第5期155-161,共7页
Hundred Schools In Arts
