抵制与厌弃“:文革”期间“样板戏”传播的困境

Resistance and Rejection:Predicament of Model Operas Spreading in Cultural Revolution

"文革"期间,"样板戏"传播遭遇抵制的缘由主要表现在三个方面:文学话语对政治意识形态的消解;中共高层对"样板戏"独霸文艺舞台造成的百花凋零局面的不满;"文革"受难者对"样板戏"的憎恶。"样板戏"传播遭遇抵制与厌弃的现象,证明了样板戏企图独霸文艺舞台、统合观众接受心理的悖谬与虚妄。

During the Cultural Revolution, the spreading of Model Operas was resisted because of the following three reasons： literature discourse diminished the political ideology; the CPC leadership was dissatisfied with the damage that Model Operas had done to other art forms; victims of Cultural Revolution resented Model Operas. The resistance and rejection proved that Model Operas＇attempts to monopolize arts and integrate audience＇s acceptance psychology are absurd and fabricated.