期刊文献+

浅论书法审美的对立与统一

Discussion on Opposition and Unification of Calligraphy Aesthetics
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摘要 中国书法艺术,是对中国汉语言文字的艺术性再创造,从艺术的角度赋予汉字诸多表现形式。如何将汉字的点画结构按照美的规律用艺术的形式尽可能地进行完美的表现,是历代书法理论研究的核心问题。书法艺术无不体现在对立和统一的审美标准之中。 The art of Chinese calligraphy is an artistic recreation of the written words of Chinese language and from the perspective of art it endows a variety of written forms for the Chinese characters. How to perfectly show the stipple structure of the Chinese characters in line with the law of beauty and in artistic form is the core problem of the theoretical researches by the incessant generations. The art of calligraphy is all reflected both in the opposition and unification and in the content and form admired by the aesthetic standard.
作者 孙小龙
出处 《洛阳理工学院学报(社会科学版)》 2012年第4期32-35,共4页 Journal of Luoyang Institute of Science and Technology:Social Science Edition
关键词 书法 艺术 对立统一 审美 calligraphy art opposition and unification aesthetic
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参考文献2

  • 1黄简.历代书法论文选[c].上海:上海书画出版社,1979:172.
  • 2项穆.书法雅言[A].李永忠.中华生活经典[C].北京:中华书局,2010.

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