论光感因素在中国画教学中的应用

On the Application of Optical Factors in Teaching of Chinese Painting

中国画中很少有表现客观物体在光的照射下显现光感效果的作品。光感的表现在中国画的发展历程中历来处于不受重视的地位。中国画中光感表现发展缓慢的原因是由中国文化中的中庸思想和讲究意境表现的学说所形成的特定的审美态度所决定的。中国画表现光感需要进一步深入学习传统绘画理论,吸收西方绘画有益经验,以扩展中国画的表现空间。

Chinese painting seldom shows the light perception effect of works of the objective object in the light under the irradiation of light. Optical performance in Chinese painting in the development process has always been neglected, most Chinese painters to avoid optical performance in this category. Chinese painting in the light per- formance is due to the slow development of Chinese culture in the doctrine of the mean thought and exquisite artistic conception theory formed by the particular aesthetic attitude. This paper has discussed through the analysis of Chi- nese painting light performance techniques and theory of Chinese painting, exploring the feasibility of light. Chinese painting light need further study on the theory of traditional painting and Westem painting experience to expand the performance of Chinese painting space.