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简论张大千画款书法与绘画的关系

An Analysis of the Relation of Zhang Daqian's Painting of Calligraphy and Painting
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摘要 张大千是中国20世纪画坛上的大师,文章聚焦张大千画作中画款书法与绘画的关系,从画款书法与画作的结构和画款书法与画意的关系方面进行讨论。他的画款书法以绘画为主体,既服务于视觉的审美,又将自己对人生、对绘画的情感及观点融汇其中,在构图美的基础之上自然而然地造就了画境之美,形成了诗书画的完美结合,艺术的审美意境获得无尽的延伸和拓展。 Zhang Daqian is the great person in 20th century painting fiehl. This article fbcuses on the relation of his painting of ealligraphy and painting, and makes analysis an painting of calligraphy and the struetures of painting and the relation of painling of calligra- phy and the meaniug of painting, tits paintings of calligraphy focus on the painling, and serve tbr visual purpose and also mix the fecling and points of view to lives and painting into the paintings. On the structure, his paintings form the beauty of picturesque scene and form the combination of poem, books and paintings, and the artistic, conception achieve the extension and development.
作者 刘颖
出处 《重庆文理学院学报(社会科学版)》 2012年第5期105-108,157,共5页 Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
基金 四川省重点人文社科研究基地--张大千研究中心2011年度重点项目"张大千画款书法研究"(项目号:ZDQ2011-01)的阶段性成果
关键词 张大千 画款书法 绘画 Zhang Daqian painting of calligraphy painting
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