摘要
晚明江南士人家居陈设出现审美化、时尚化、宜居化等新变化,对陶瓷艺术发展产生深刻变化。晚明江南士人家居陈设[1]"尚雅"思想促使陶瓷艺术朝文人化、写意化、古意化发展;晚明江南士人家居陈设[2]"尚奇"思想推动陶瓷艺术朝个性化和多样化发展。
the home furnishing of Jiangnan scholars in the late Ming dynasty appeared aesthetic, vogue, livable, and the new changes led to a deep change on the ceramic art development. The elegant advocation in the home furnishing of the Jiangnan scholars led the development of ceramic art towards the literati, enjoyable, and ancient favor. While the odd advoeation in the home furnishing of the Jiangnan scholars in the late Ming dynasty led to the personalization and diversification of ceramic art development.
出处
《江西科技师范学院学报》
2012年第3期122-124,共3页
Journal of Nanchang Vocational & Technical Techers' College
关键词
晚明江南士人
家居陈设思想
陶瓷艺术风格
影响
Jiangnan scholars in the late Ming dynasty
the thought of home furnishing
the art style of ceramics
influence