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林译《黑奴吁天录》诗学化改写研究

A Study on the Poetics Rewriting of Linshu's Lei Nu Yu Tian Lu
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摘要 翻译文化学派的勒菲弗尔在其《翻译、改写以及对文学名声的操控》一书中提出翻译就是改写,改写受到诗学和意识形态的操控。从诗学化改写角度探讨林纾在翻译《黑奴吁天录》中如何置换了原文的诗学风格,成功吸引了深爱桐城诗学风格的封建士大夫和知识分子的眼球,使《黑奴吁天录》一出版就引起了巨大的共鸣,挖掘该译本在翻译实践方面所包涵的价值以及对后世译书的启示。 In the book Translation Rewriting And The Manipulation Of Literary Fame, Andre Lefevere puts forward that translation is a rewriting of an original text and all writings ,whatever their intention, reflect a certain ideology and a poetics and as such manipulate lit- erature to function in a given society in a given way. The paper makes an attempt to discuss how Linshu changed the poetics style of the original to make Lei Nu Yu Tian Lu such a success.
作者 王晴晴
机构地区 安徽师范大学外国语学院
出处 《河北联合大学学报（社会科学版）》 2012年第6期137-139,共3页 Journal of Hebei Polytechnic University:Social Science Edition
关键词 黑奴吁天录 桐城诗学 改写 lei nu yu tian lu tong cheng poetics rewriting
分类号 H315.9 [语言文字—英语]
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参考文献10

  • 1斯土活.黑奴吁天录[M].林纾,魏易译.北京:商务印书馆1981.
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二级参考文献14

  • 1伏尼契.牛虻[M].李俍民译.北京:中国青年出版社,1953.
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  • 9Hermans, Theo. The Manipulation of Literature. Studies in Literary Translation [M]. Surry Hills: Croom Helm Ltd, 1985.
  • 10Huxley, Thomas H. Evolution & Ethics and Other Essay[M]. New York: The Macmillan Company, 1906.

共引文献41

河北联合大学学报（社会科学版）
2012年 第6期

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