摘要
"象征"是中国和欧洲都有的诗歌手法。唐诗《滁州西涧》和1920年代模仿法国象征派的新诗《弃妇》均采用"象征"来传达一种失望与焦虑之情绪。《滁州西涧》意象相接自然,因而意境浑圆,虽传达失望之情绪复又归于和谐。《弃妇》过度追求意象奇特,联结古怪,脱离了民族审美心理,诗里诗外都阴霾不散。
The symbol of Tang poetry ＂chuzhou xi jian＂ and modem poetry ＂qi fu＂ convey a disappointment and anxiety emotions. The ＂chuzhou xi jian ＂connect natural images, and artistic conception and round, although convey emotion to the complex and disappoint- ment ,finally harmonious. ＂qi fu＂ is image strange,so,Away from the national aesthetie psychology.
出处
《河北联合大学学报（社会科学版）》
2012年第6期220-222,共3页
Journal of Hebei Polytechnic University:Social Science Edition
关键词
象征
悲观
和谐
分裂
symbol
pessimistic
harmonious
divisive
