摘要
中外美术史上多个时期,都有画家采用平远的视角表现生态命题。不同的生态观在文明的不同时期转换变化,不同的叙事表现出人类对环境的复杂情感和不同的生态立场。在当代绘画中,一些画家也以平远的视角创作有关生态叙事的作品,利用艺术的感性空间,解说人的存在及与周遭环境的关系。对当下文明的生态困境获得感同身受的危机感,获得积极的生态思维和家园感,达到"可感"、"可容"、"可悟"的目的,是当代绘画中以平远视角作生态叙事的作品文化价值所在。
"Long- range perspective" is one adopted in traditional Chinese paintings when the painter takes a view from a rather high place so as to represent a great stretch of landscape. In the artistic history of China as well as Western countries, many painters have adopted the perspective to describe living things and their environment. In contemporary paintings, some artists also use this per-spective to describe the harsh conditions of human beings and environmental crisis, intending to call people's attention to the problem as well as their living environment.
出处
《郑州大学学报(哲学社会科学版)》
CSSCI
北大核心
2012年第4期169-172,共4页
Journal of Zhengzhou University:Philosophy and Social Sciences Edition
关键词
当代绘画
生态观念
生态叙事
平远视角
contemporary paintings
sense of organic life and its environment
ecological narrative
long - range perspective