元朝后期的骚体赋

Fu of Sao Style of Late Yuan Dynasty

元朝后期,骚体赋盛行一时。赋家的祖骚不仅表现在对楚骚字词、意象、境界等表层的模拟,更深入探讨《楚辞》的句法结构、题材内容、审美表现等,从深层拟骚。骚体赋的盛行,一是恢复科举后朱熹《楚辞集注》的影响,二是由于祝尧、程端礼、陈绎曾等赋论家的提倡,此外与元朝赋家的地位和心态也有一定关系。其优点是多少改变了科举赋千人一面、缺少创新的缺点,也使枯燥的程式赋多了几分情韵,缺点是大多赋作缺少屈骚感情的深度。

Fu of Sao Style is popular in Late Yuan Dynasty. Fu of Zu Sao imitates not only the vocabulary, image of Chu Sao from the surface level, but also probes the syntax, subject matter, aesthetic expression of the latter from the deep level. The prosperity of it results from the influence of Annotation of Chu Ci after the restoration of the imperial examination as well as the avocations of ZHU Rao, CHENG Duan-li and CHEN Yi-ceng, which is connected with the status and state of mind of the poets in Yuan Dynasty. The merit of it is that it changes the demerit of imperial examination which is lack of creation and variety. It also adds charm to the poem written according to the regulation of the exam. The demerit of it is the lack of emotional depth of Fu of QU Yuan.