论晚明文化转型时期的书法变革

Calligraphic Reforms in the Cultural Transition of the Late Ming

受明中后期社会经济、文化发展的影响,晚明书法自徐渭至张瑞图、黄道周、倪元璐等人,都表现出了强烈的个性,形成了中国书法史上一股前所未有的变革潮流,改变了传统书法以"二王"为典范的套路,开启了清代碑学以至于近现代书法的先河。晚明书法的这种变革是中国社会从古代向近代社会文化转型的开端时期在书法上的反映,对当代社会书法的发展有着重要的现实启示意义。

With the influence of the social economic and cultural development at the time, calligraphers in late Ming including Xu Wei, Zhang Ruitu, Huang Daozhou, and Ni Yuanlu expressed strong personalities in their works, which formed a revolutionary trend in China＇ s calligraphic history. This new trend changed the then tradition that took the ＂two Wangs＂ as models and initiated the discipline of stele inscriptions in the Qing Dynasty. It also asserted influence to Modern calligraphies. These changes in calligraphy reflected the cuhural transition of the Chinese society transforming from the ancient to the modern, and have practical meanings of inspiration to the development of contemporary calligraphies.