摘要
本文分三部分阐释李贽的审美思想:其一,与康德在18世纪末期提出的审美自由思想相比,李贽更强调审美对象与审美主体的平等认同及审美客体的独立性;其二,李贽主张审美观照建立于这样一个前提下,即自然作为审美对象,同时必须是一个召唤主体;其三,李贽坚持人生的真理性(人生价值)不离于此,尽在于此,主张"为己自得","不掩于行",由此开启了个性解放和情感自由的生活美学。
Li Zhi's aesthetical ideas will be expounded in three aspects. First, compared with the aes- thetical ideas by Kant, Li Zhi focused on the equal identity of aesthetical object and aesthetical subject as well as the independent nature of aesthetical object. Second, in Li Zhi's opinion, nature is both an aes- thetical object and response -inviting subject. Third, Li Zhi insisted that life value should be indispensa- ble to it, thus bringing about the personal emancipation and free life aesthetics.
出处
《河北学刊》
CSSCI
北大核心
2012年第5期30-34,共5页
Hebei Academic Journal
基金
国家社会科学基金项目《意境与现代人生》(04BZX061)阶段性成果之一。
关键词
李贽
自然
自我
生活美学
Li Zhi
nature
selfhood
life aesthetics