摘要
中国美学认为,"通天下一气"。从美学形态上看,"气"是"有"与"无"、形上与形下的有机体,表现为一种诗意的终极关怀,强调人的生命高于一切;从历史性形态上看,"气化"境域表征为一种归真返朴的审美生存态势,体现为一种天人合一、物我同一、主客归一的浑融境域。因此,概括说来,"气"就是以"阴阳"为基本内核、以"混沌"为外在形态、以"超越"为诗意特征、以重生为审美化追求的物质、精神一体与生命意识、生命现象一如的结晶。"气"决定着审美创作者的才性、情趣与意志。
In Chinese aesthetics, the forms of" Qi" are common. In aesthetics, "Qi" is the organism of" existence" and "non - existence" and the organism of materialism and idealism, which expresses on poetic concern. It emphasizes the importance of life that it is the most important in anything. In history, "dissolution of Qi" is the aesthetic existence of nature, which expresses on the unity of" heaven" and" people", "material" and" soul", and" subjective" and" objective". In conclusion, "Qi" is based on the internal element of" yin" and" yang", the external element of" chaos", the poetic characteristic of" transcendence" and the essence of aesthetic pursuit between" material" and" spirit" and" life conscious- ness and phenomenon". "Qi"decides aesthetic creators' intelligence,emotion and will.
出处
《沈阳工程学院学报(社会科学版)》
2012年第3期289-294,301,共7页
Journal of Shenyang Institute of Engineering:Social Science
关键词
气
气化
创作者
生命基元
Qi
dissolution of Qi
creator
basic element