论《子夜》中的颓废色彩

On the Decadent Tinge of Midnight

《子夜》是茅盾先生的长篇力作,《子夜》中的颓废色彩,在茅盾所描述的城市——上海、文中的主人公吴荪甫身上都有深刻体现,茅盾用独特的颓废视角对繁华的都市及都市人的文化心理进行了深度剖析。《子夜》中的颓废色彩不但为我们研究茅盾作品的文化内涵另辟了蹊径,也为当代文学创作提供了丰富的资源。

In Midnight, Mr. Mao Dun＇s work, the decadence of the city of Shanghai and the hero Wu Sunfu has been profoundly reflected. Mao Dun analyzed from a unique perspective on the decadent metropolis and urban people＇s cultural psychology. The decadence style not only opens up a path to study the cultural connotation of the works of Mao Dun, but also provides rich resources.