摘要
绍兴"祝福"作为非物质文化遗产在旅游景区得到展示,是当代遗产实践下"可参观性"的文化生产与消费。文章通过对比和考察旅游景区以及普通人家的绍兴民俗"祝福"仪式,从文化展示和遗产旅游的角度来探讨"祝福"的真实性问题。非物质文化遗产的展示需要把握本真性和商品化的均衡,同时区别对待"前台"和"后台",以使文化遗产的保护传承与旅游展示相得益彰。
Shaoxing’s Zhufu(a tradition of giving thanks to ancestors and God,and praying for the coming year) displayed as intangible cultural heritage at scenic spots is cultural production and consumption of visitability in contemporary heritage practice.By discussing the authenticity of Shaoxing’s Zhufu displayed at Luxun’s Former Residence compared with the actual practice of rituals by ordinary people in Shaoxing from the perspectives of cultural display and heritage tourism,this paper ultimately holds that the display of intangible cultural heritage relies much upon the balance between the authenticity and commercialization of heritage as well as the differentiation of front stage and backstage so that the preservation and inheritance of cultural heritage might be possible through cultural display of heritage tourism.
出处
《绍兴文理学院学报》
2012年第4期8-11,共4页
Journal of Shaoxing University
基金
浙江省教育厅课题(Y201120247)"绍兴民俗‘祝福’内涵嬗变的话语分析"
浙江财经学院校级课题(2008YJY18)"跨文化语境下中国传统话语的语言哲学研究"
关键词
祝福
文化展示
真实性
遗产旅游
Zhufu
cultural display
authenticity
heritage tourism